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As Long As We Are Analog …

As Long As We Are Analog …

Beomaster 3000-2
Beomaster 3000-2 like the one in the Museum of Modern Art

As long as we are looking at analog audio equipment we may as well investigate this thing.

What we are seeing here is a Bang & Olufsen 3000-2 receiver. Now, just to be clear, in the audio world the term “receiver” is generally accepted as meaning it is a radio tuner and amplifier all in one.  Back in the early days all the components were sold separately.

I remember in the first half of the 1960s it was common to have a tuner, pre-amp, amplifier, and turntable as separate parts to a “hifi” system. They were often from separate manufacturers. Within a fairly short period of time the pre-amp and amps were combined, and that thing was called a “receiver”. My very first component system was a Scott tuner with a Fisher receiver. It looked great in the dark because of the tubes.

The Beomaster 3000-2 was first made in 1972, the same year that it was selected to be one of seven products designed by Bang & Olufsen to be included in MOMA’s collection. Designed by Jacob Jensen it is considered to be one of the most influential designs of the 20th Century.

Technically speaking, the 3000-2 is 40watts per channel with a range of something like 30-30,000hz. The distortion is supposed to be less that .5%.

That may sound like gibberish to some folks, so let me put it as simple as possible. When connected to studio-quality speakers the Beomaster 3000-2 is fabulously good.